Music and Themed Entertainment have been two passions that have intertwined throughout my life, becoming my professional path. I learned that having a vocation is one thing, but mastering skills is another. This understanding has led me to explore and grow in diverse fields, always driven by the desire to evolve and the honour of leading and collaborating with multidisciplinary and multicultural teams.

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One day, I replaced the phrase "I can't do this" with "I haven't done this yet," and that mindset allowed me to take part in incredible projects, always surrounded by brilliant creative teams.

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In the world of music, I’m proud of projects like the album Femina Feminae, Sky: Children of the Light for Piano Solo, conducting the Marvel vs DC concerts with the Franz Schubert Filharmonia, and composing music for the millennium mapping show at Montserrat.

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In Themed Entertainment, I’ve worked as a creative director for venues like Casa Batlló and Place Vendôme Qatar. I am proud to have contributed to projects like Pop Land Beijing and Dr. Archibald Hamburg, and composed music for Cube O Hong Kong, Gate 99, and Erlebnispark Schloss Thurn. In 2016, I coined the "Park Scoring" concept to describe music specifically written and designed for theme parks and themed entertainment experiences.

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And no matter how many things I do, I’ll always be known as "the guy who composed the music for Furius Baco at PortAventura.